Laboratory Dancers

Land Acknowledgment
We would like to acknowledge that we are standing and performing on stolen land. Chicago, IL is the traditional homeland of the Council of the Three Fires comprised of the Ojibwe, Odawa and Potawatomi Nations, and many other Nations including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo, and Mascouten. This land was and remains to be Native land.
Program notes

To Whom This Concerns Most:
Choreographer:
Michael O’Neill
Dancers:
Michael O’Neill and Stephanie Neuerberg
Poem:
“Hurling Crowbirds at Mockingbars” by Buddy Wakefield
Costume Designer:
Alaina Moore

relative
Choreographer:
Alexandra Subak
Dancers:
Beth Berta, Zach Bird, Cheryl Cornacchione, Erika Farkvam, and Michael O’Neill
Music:
Sound collage arrangement by Alexandra Subak
“Trying to be…” guitar by Alexandra Subak
“But I can’t” voice and guitar by Mike Vinopal, voice and percussion sounds by Ruth Heald
“For Them to Connect” voice by Beth Berta, teeth brushing by Erin Dunbar and Mike Vinopal, whistling by Paul Applington, synthpop by Marital Streep
“How much more gently” voice by Scarlet Monk, guitar by Paul Applington, upright bass by Elijah Woods
“I’ll just stay in my bubble” voice by Ruth Heald, cello and piano by Alexandra Subak
“It makes me feel distrustful” voice and percussion sounds by Ruth Heald, guitar by Mike Vinopal
*A special thank you to the artists who contributed to the sound collage. Thank you for being vulnerable and sharing your talents for this project.
Choreographer's note:
This piece is about life. It’s about joy. It’s about loss. It’s about fleeting moments and chapters of our life. everyone’s experience and definition of a family is different. There is blood family. There is extended family. There is chosen family. There is work family and family that is developed by proximity or convenience. But this piece is also about you. Below are some questions to keep in mind as you witness so you might project your own experiences onto the individuals in this dance, their relationships, and their movement. These questions were used to develop both the dance itself, as well as the soundscape:
Who is your family?
Where is your home?
What family traditions are important to you?
What makes you feel safe?
Think about a family member you lost, doesn’t have to be from a death. What does the loss feel like in your body? Where do you feel it? When do you feel it?
Think about a family member you butt heads with. What about the relationship makes you have conflict?
15-Minute Intermission

Best, Regards, Respectfully, Yours—Truly
Choreographer:
Michael O’Neill
Dancers:
Beth Berta, Erika Farkvam, Michael O’Neill, Stephanie Neuerberg
Poem:
“bargaining power” by Stephanie Neuerberg
Costume Designer:
Alaina Moore
Set Designer:
Arild Farkvam

Tell Tell (work in progress)
Choreographer:
Cheryl Cornacchione
Dancers:
Haley Bergscheider, Kait Dessoffy, Lisa Leszczewicz, Alexandra Subak
Music:
"Sleep" by STRFKR
"Anxiety" by STRFKR
"The Yabba" by Battles
"Yay" by Zammuto
Choreographer's note:
How do words create barriers or bridges when we transfer our thoughts to one another? Ever experience a moment of accidental group think? How often do you feel misunderstood? Tell Tell is the culmination of a series of movement experiments based on the idea of how we receive, filter and respond to each other. I invite you to become part of this work in progress by writing down words or sentences that come to mind while watching the dancers. You could describe your favorite move or movement phrase. You could tell me how something made you feel. You could ask a question.

MaxFil
Creator/director:
Erika Farkvam in collaboration with dancers
Dancers:
Haley Bergscheider, Beth Berta, Cheryl Cornacchione, Kait Dessoffy, Lisa Leszczewicz, Alexandra Subak
Music devised and manipulated by Alexandra Subak:
“Rectum” by Thomas Bangalter
"Ain't Nobody" by Chaka Khan
“Absolute Ego Dance” by Yellow Magic Orchestra
“I Met the Beast” by Martin Dupont
“L’mour Joue au violon” by Jeanette
“Loser’s Lounge” by World Standard
"Chaca chaca" by Jessy Bulbo
"Fire" by Lizzy Mercier Descloux
Costume Designer:
Erika Farkvam and Kait Dessoffy
Props:
Erika Farkvam and Haley Bergschneider
Choreographer's note:
MaxFil is an exploration of the ideas, influences, and experiences that keep us moving through life while in relationship to each other. Originally prompted by each dancer’s relationship to food as a jumping off point, we explored the positive and negative impacts this relationship holds on each dancer’s lives.
MaxFil explores a lot of questions–are we in a chokehold to consumerism? Can we defy societal norms? Can we defy societal norms of being pitted against each other? Can we give into the joy that can be all around us even if the world or our inner worlds are in shambles? Can we find joy in the mundane and somewhat absurd? Can we remove ourselves from the male gaze? What brings you the utmost comfort and ease in a place, space, idea? How do we continue to go through life carrying things either physically or metaphorically that we may or may not have a choice over?

Tips for watching dance
Are you new to modern dance? Here are some tips!
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There's no wrong way to interpret dance. Trust your instincts - your interpretation is valid.
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Don’t feel like you need to interpret at all. You can choose to sit back, enjoy the ride, and feel whatever bubbles up.
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Sometimes it’s fun to look out for patterns or repetitions.
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When multiple things are happening, focus on whatever catches your eye.
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Feel free to react! Your engagement energizes us.
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Ask questions after the show. We love discussing our work…that’s why we make it!
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See more dance! The more you watch, the more you'll enjoy.

















